"Those
that had it worst were the big families, and maybe a parent not well.
They'd be coming to school with maybe not half enough clothes on them
and the two turf. If you had no turf you'd be going along the stacks
looking for a long one to break in two. [Yes, we know!] And a big
open fireplace with no more heat coming out of it! Likely the teacher
was up with her backside to it. The place was freezing!
"If you weren't trembling with the cold you were trembling
with the fear! There were plenty of big sticks and they weren't afraid
to use them. I got my backside scelped more than enough as well. There
was no such thing as stepping out of line in those days. I remember
in recent years coming from an funeral and looking up at window of
the school and seeing all the wanes gathered round the teacher and
them all looking out the window. You wouldn't dare do that in my day."
But for all she may have feared, Margaret Mary seems
to have entered into the spirit of the folklore project with more
than the average enthusiasm. As an adult, her appreciation of local
history and culture and her willingness to get involved in community
events are among her most remarkable traits. (In fact, earmarked for
inclusion in future editions of this magazine is her brief history
of the market house, which is currently undergoing extensive rebuilding.
We are indebted to her for bringing together much information about
the building that had hitherto been scattered about.) This energy
for and committrnent to local projects is impressive enough in its
own right, but takes on an added quality when one imagines that it
is rooted in a little girl's frustration at being an only child. Another
factor which surely contributed to Margaret Mary's sociable nature
is that hers was anything but a lonely house.
"My mother had an agency for the shirts and women used
to make the shirts in their own home and bring them in and she would
examine them and then they were baled and sent to Derry, to the factories.
One night she had about five hundred dozen or so to do up for the
morning and the train went at 7:30 am. John Mackey's grandfather used
to cart them up to the station. The railway was running then. And
she said to old Suzie Gill in Altahalla, who worked with Fr Maguire,
the Parish Priest then, 'Will you put that one there to bed because
I haven't time. I'll be up all night with these." And that wasn't
an unusual occurrence in the house.
"And then in the bar up at home there was Willie Diver
from Mindoran and a crowd of old fellas like that would sit in the
kitchen and I would hear them talking about all sorts of things -ghost
stories and all sorts. It was enjoyable at the start off but after
a while it got to be a bit of a chore, you thought it was never going
to end." Whatever the reasons, Margaret Mary was more diligent than
most in collecting her material for the folklore commission, and a
good deal more surreptitious by the sounds of things, an aspect she
remembers with glee.
"We just used to go round the oul' ones and it was a
great excuse to go ceilidhing. There were two of three oul' people
up in Ballinabo. Dr Waters. He wasn't really a doctor. He used to
have old cures and they called him Dr Waters. He had a lot of old
stories and was great at telling them. Paddy Fiodoir was another one
-a granduncle of Anthony Fiodoir. And Margaret Jonas' grandfather.
They used to ceilidh up in Ballinabo and if you took a chair into
a quiet corner where they wouldn't see you, you'd hear a whole lot
of things!
"They paid no heed to us, thought we were doing our
own thing, but we'd be taking down some of the things they said. If
they saw you taking down things they wouldn't want to talk in front
of you. If they didn't they passed no remarks on you, by way of talking
over your head.